We want to use Presence to emphasize both kick and snare, thus we set the LOW control to 60Hz and the HIGH control to around 7.5kHz. Nonetheless, feel free to experiment with the other algorithms, too, to find the one that sounds best to you.Īfter that, we move on to the main controls. We go for Replace so the generated harmonic content ducks the corresponding frequency band in the original signal. Next, we choose the algorithm or mode of operation. Being an exciter, this plugin adds new harmonic content to the original signal (in contrast to an EQ, which can only boost or attenuate frequencies that are already present in the source material). We start by opening up an instance of Presence on the drum bus.
With these prerequisites in mind, we’re now ready to go! Exciting times Now it’s time to work on the group as a whole – but before we begin, let’s first define what we want to achieve in the end. We’ve already processed the individual drum tracks with some equalization and compression courtesy of Strip V3. In this tutorial, we’ll show you how use the Presence and C165a plugins to give your drums the final touch and make them pound by using a combination of dynamic excitement and compression.
Deep kick drums, snappy snares, and fast hi-hat rolls–these are the ingredients of a classic hip-hop or trap beat.
0 kommentar(er)
